Or if you want more warmth to it, boost the 200-400Hz area. High frequency cut at 9900 Hz rounds up the transient and removes the ‘fuzziness’ in the very top-end. Put an EQ with a visual display of the frequencies on your kick and bass tracks. We send our higher frequency instruments to a convolution reverb with a ping pong delay to add depth and stereo width with both send channels in the Drum Rack. We shorten the decay and roll off the low frequencies until approximately 50Hz using EQ Eight. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. The purpose of this kick is to provide the punch and low-end thickness. 808 Analogue Kick’s epicentre is usually around the 60Hz area. Starting off with the right kick sound is crucial here, so we’ve chosen a heavily compressed 909 type kick with a prominent pitch envelope that will cut through the mix. Our story began with a simple desire: to be inspired making music and become better producers. As you can hear in the audio example below. If you enjoyed this tutorial you might find our book ‘The Secrets of Dance Music Production’ a helpful resource for similar tutorials. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Now, put a similarly harsh high pass filter on the bass sound and set the frequency threshold at 180Hz again, so that this time you're scooping out tons of bass. Beat Dissected is a regular series in which we deconstruct drum patterns, showing you how to program them in any DAW. You also have the option to opt-out of these cookies. We automate the decay tail to be shorter on the first hit and longer on the second. In our tutorial, we will show you one of the most basic and efficient ways to achieve this. It shows us, that the left … 20% OFF 3 products. Next step is to mix both layers together until it starts to sound like a cohesive techno kick. To help support our original content, please consider whitelisting Attack in your ad blocker software. Just copy our grid in your own software to recreate the loop. In order to achieve a darker tone, we send our signal through a low pass filter. Attack Magazine is funded by advertising revenue. All unnecessary frequencies above 200-300 Hz will need to be eliminated, since we will use ‘layer two’ to cover that range. The key element with this style of techno is the defining low-end rumble. We'll assume you're ok with this, but you can opt-out if you wish. Starting off with the right kick sound is crucial here, so we’ve chosen a heavily compressed 909 type kick with a prominent pitch envelope that will cut through the mix. We shorten the decay slightly and roll off anything from below 1000Hz. In order to maintain our headroom, we turn down the Out Level to -3dB. That’s where it’s presence is. Ideally, sound with a forward midrange and thick transient. Many people refer to this … Almost no speaker systems can reproduce sounds below 20-30 Hz. Feel free to experiment with different types of kicks or low-pitched tom sounds, different types of reverb and/or delay as well as unconventional pattern lengths/ time signatures. All sounds we will use in the examples are sourced from the Audiotent Pure Kicks library. EQ is truly your best friend when it comes to tweaking your kicks. We were artists in search of exceptional quality tools. Low-end of the kick should ideally be mono. We introduce an open hi-hat with a long decay and darken the tone, but not too much, with a low-pass filter. 25% OFF 4 products or more. Finally, let’s process this kick with a touch of EQ, Compression, Tape Saturation and gentle Limiting. First, have a look at the meter below. We lower the velocity on every second hit and 5) Commit the kick to audio, including the reverb. This will retain the reverb from overpowering the original kick. Both sides of the signal are in the centre: Next, we load an equaliser and use a high cut filter to isolate the low frequencies below 225 Hz. This website uses cookies to improve your experience while you navigate through the website.